早在2006年首张专辑《The Last Resort》一经问世便震撼音乐节并占据各大榜单年度专辑首位，翌年Trentemøller成立了首支现场乐队并在同年巡演近300场，之后发布两张录音室专辑《Into The Great Wide Yonder》 (2010) 和 《Lost》(2013), 更让世界各地的乐迷们记住了这个来自北欧的名字Trentemøller。
2016年九月，Trentemøller再次通过个人厂牌In My Room发布第四张专辑《Fixion》，不出意外的延续了上一张专辑《Lost》的风格，新专辑捕捉并记录了Trentemøller内心对于旋律不同的理解和体验。《Fixon》将丹麦艺术家标志性的忧郁又醇厚包裹在独特，神秘又黑暗的浪漫氛围中。与其说在原有的曲风寻求改变，倒不如说Anders以此为契机来转化和凸显不同角度的旋律，使其以一个更加整体并以歌曲为驱动的形式呈现给听众。有些人听Trentemøller的第一印象可能是觉得缺少细节，但是他们慢慢会发现随着时间的推移，旋律中那些错综复杂的画面都会一一展开，每一次听都会有不同的体验。
Copenhagen based musician Anders Trentemøller´s talent for heart-wrenching melodic moments and exceptional productions, fused with his trademark sound somewhere between indie and electronic, has established him as one of the most respected and admired artists and remixers of this century.
In 2006, following a line of 12” electronic EPs, Trentemøller released his groundbreaking debut album ‘The Last Resort’. High placements in several polls for best album of the year followed and established his name to a much broader audience.In 2007 Trentemøller assembled his first full live band and since then played almost 300 shows around the world.
After two more studio albums, ‘Into The Great Wide Yonder’ (2010) and ‘Lost’ (2013), artist-compilations (‘The Trentemøller Chronicles’ (2007), ‘Reworked/Remixed’ (2011)) and more releases like ‘Harbour Boat Trips’ (2009) or ‘Late Night Tales’ (2011) Trentemøller is about to release his fourth album ‘Fixion’ on his own label imprint In My Room in September 2016.
‘Fixion’ album cover
With ‘Fixion’, Anders has crafted a logical successor to 2013’s ‘Lost’ – a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that ‘Lost’ built on from the somber cinematic classic that was ‘Into The Great Wide Yonder’, ‘Fixion’ has embraced the Danish artist’s trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.
Rather than attempting to completely reinvent himself, Anders has used his latest outing as an opportunity to highlight certain granular aspects of his signature sound and refine them into a much more organic – and at times perhaps more song-driven body of work. It’s a record that on first listen may seem less detailed but, as you’ll know by now, with Trentemøller, one should never be fooled by initial impressions. It’s the kind of record that will over time repeatedly unlock new intricacies and offer the listener an opportunity to understand the work differently upon each listen.
糖果 Tango Club
北京 Beijing 4月28日
场地/Venue： 雍和宫糖果 Club Tango
地点/Address： 北京市东城区和 平里西街79号
79 Heping Xijie, Dongcheng, Beijing
上海•草莓音乐节 Shanghai 5月1日
场地/Venue： 上海世博公园 Shanghai Expo Area
1750 Shibo Avenue, Pudong, Shanghai